RILEY MIDRONI

My practice sits at the intersection of sculpture, costume, and the everyday rituals that shape how we present ourselves. I work with materials that carry memory—fabric, found objects, and the body as a site where identity is constantly rehearsed and revised. Recent work asks who is allowed to take up space, and how archives flatten lived experience into something legible. Installations become temporary stages where failure and tenderness are held with equal weight. This site gathers projects in conversation with one another rather than as a strict timeline. Each piece extends a question about visibility, labor, and the stories we tell to stay seen.